Book Review: The Rag & Bone Man by Lee Morgan

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When I was first asked to review The Rag & Bone Man by Lee Morgan, I was intrigued by the premise. Unlike other occult books, this one combines fiction and non-fiction, blending new and old ideas to create something unlike anything else I have come across in all my years of reading and reviewing books. Morgan is a prolific writer, but is probably best known for his work A Deed Without a Name, which is highly recommended among practitioners of traditional witchcraft. Knowing this, I wasn't going to turn down the opportunity to review his latest book.

As mentioned, The Rag & Bone Man combines both fiction and non-fiction, which Morgan refers to as "a story that has a head, a heart, and two working hands." What does this mean exactly? Well, the head refers to the first part of the book, which lays the historical foundation of the story (heart) that follows it. In this section, Morgan heavily focuses on the history of the Spiritualism movement, complete with footnotes and citations. As someone who studied the Spiritualism movement's impact on literature in college (yes, I was a science major, but I took a heavy load of English courses as well), I loved that it was the central focus of this section, and included major literary works that incorporated such fantastical elements. It is not something that is normally discussed in occult spaces, which is wild to me because much of the folklore and practices many of us use and practice today originated or spread widely during this time period. The introduction or "head" alone is well worth the read.

The "heart," as Morgan calls it, is a fictional story that takes the reader on a journey through the eyes of Henry and his interactions with the Rag & Bone man. The Rag & Bone man is a collector of memories, thoughts, and emotions, taking stories and transforming them into new things or repurposing them. I don't want to give too terribly much away, because you really need to read the story for yourself, but it explores themes of memory, identity, folklore, and our relationship with the inhuman. It ties in heavily with Spiritualism, which, as mentioned before, is the main focus of the introduction. I will say that the story heavily dominates this book. That isn't necessarily a bad thing, given what Morgan is trying to do, but out of 275 pages, the story takes up 238 of them, or 86.5% of the book. For some of you, I know this may be the determining fact as to whether or not you give The Rag & Bone Man a try. Not everyone wants to go on a literary adventure to explore witchcraft, and that is perfectly fine. For the rest of you, especially those that struggle to find context or meaning in their work, there is a very good chance this will be exactly what you are looking for.

Finally, the book concludes with "two working hands" or the practical grimoire. This section takes what we learned in the head and heart and turns it into actionable items such as "alignment with the fetch" and even conducting séances. This is not a straightforward grimoire, however, but a more intuitive guide. It is not bogged down with lists of ingredients and steps. The grimoire reminded me of Dulsky's works, which take a very similar approach to teaching the occult. She too likes to weave stories, followed by actionable items to develop your craft. Morgan's work is no different, albeit slightly less lyrical and easier to follow. While I enjoy this style, it is not the most accessible format for a grimoire, and is definitely not something you can easily flip open and find what you are looking for. If you like Dulsky's works, you will probably enjoy The Rag & Bone Man too.

Overall, The Rag & Bone Man is a unique combination of historical context, storytelling, and practical application woven seamlessly into a"new tradition. While I wish the story itself was shorter, I was impressed with Morgan's work, and know there is definitely a market for such a tale. I found a place for this one on my shelf, and will likely return to it again in the future, especially when I am navigating my own winding path through the dark.

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