Thursday, June 12, 2025

What is Midsommar?

What is Midsommar?

Unlike the other holidays on my Heathen calendar, Midsommar is the only one not specifically mentioned by name in the Ynglinga Saga by Snorri Sturluson. In fact, there is very little evidence suggesting Midsommar is based on ancient pagan customs from Germany and Scandinavia, an idea largely put forward by J. G. Frazer in The Golden Bough, where he states that "Midsummer Day" was Christianized into St. John's Day and that the pagans celebrated this holiday by creating sun charms and holding "...magical ceremonies intended to ensure a proper supply of sunshine for men, animals, and plants." This belief has been further perpetuated throughout the twentieth and twenty-first centuries with authors adding more and more details to their claims, such as bonfire rituals, sympathetic magic, and the existence of large sun cults. While Frazer's idea that medieval Summer Solstice traditions arose from more ancient Germanic and Scandinavian practices seems plausible, there is simply no evidence to support this. So where did it come from?

Jacob Grimm describes two distinct summer seasons in which fires were lit in his book Deutsche Mythologie. The first took place in the north around Easter, while the second took place in the south around midsummer and included sunnenwende games. Based on the differences between the two festivals, Grimm concluded that the northern tradition was likely older, while the southern tradition was most likely adopted from the church and Italy. Some speculate that the southern tradition arose from Caesar's move north during pre-Christian Rome, while others suggest it arose from Germanic legions returning home from service. Nordic and Germanic literature and mythology seem to support Grimm's claim, as neither tradition has any deities associated specifically with summer nor its solstice. However, there is ample evidence to suggest that winter's defeat was the most important moment of summer, as seen with the other three festivals or blóts. So does this mean the Norse didn't care about the sun? Quite the contrary!

Surviving winter was their paramount concern, as at least 40 days were spent in perpetual night in the high northern latitudes. The sun's return was strongly encouraged and hailed by the three other blóts celebrated by the Norse. Winter Nights or Vetrnætr was a time to celebrate family, ancestors, and the bountiful harvest, a way to give thanks and ensure survival through the winter months. Yule, on the other hand, was a celebration of the days growing longer and the rebirth that was soon to come, while Sígrblót celebrates the actual defeat of winter.

Apart from the known blóts, archaeologists have found sun-disc carvings across Scandinavia, including one featuring a large disc being held over a person's head in apparent triumph (Figure 1) and another depicting a sun wagon (Figure 2). These findings further suggest that the sun's return was important to the Nordic people.
Figure 1: Petroglyph from Stora Bracka, Brastad, Bohuslan
Figure 1: Petroglyph from Stora Bracka, Brastad, Bohuslan

Figure 2: Sun Wagon from Stora Bracka, Brastad, Bohuslan
Figure 2: Sun Wagon from Stora Bracka, Brastad, Bohuslan

According to Olaus Magnus, the people of the Arctic regions welcomed "the returning radiance of the sun with special dances" and feasts. His description emphasizes not the abstract significance of summer, however, but the practical significance-- that life becomes easier because food is more plentiful. However, there was no set day for this sort of celebration. Grimm says the day was chosen based on signs such as "the opening of flowers" or "the arrival of birds." This places celebrations most likely in June, when the Vikings returned from their voyages, which would also explain why there would be a large community gathering.

It's not until the late 10th century that these sorts of summer celebrations are given an exact date of June 24th. King Olaf Tryggvason of Norway, in his attempt to remove paganism, set all celebrations to occur on St. John's Eve, thus uniting pagans and Christians into one midsummer festival. This is also the only time we see a midsumarsblót (midsummer sacrifice) mentioned in historical texts. According to Óláfs saga Tryggvasonar 65, this mention of a midsummer sacrifice was not an actual holiday but a threat, as Olaf states he will not sacrifice animals, but instead nobles, if the pagans do not convert. It worked, at least for a time, and Olaf was able to shift the political climate without bloodshed.

As southern traditions continued to travel north, we continue to see evidence of Midsommar-like festivals being held across Scandinavia. These celebrations were marked by the well-known bonfires, communal feasts, games, dancing, drinking, and general revelry. Magnus described such a celebration in Sweden in the 1500s:

". . . the whole people, of both sexes and all ages, regularly gather in crowds in the public open spaces of cities, or on a flat stretch of ground in the fields, and everywhere light great fires for round dances and skipping dances. They repeatedly sing and simulate in dancing the glorious feats of ancient heroes, performed at home, abroad, or anywhere in the world, and also the deeds which famous women, to gain everlasting praise, accomplished from a desire to preserve their chastity. Moreover, in traditional ballads, to the accompaniment of harps and pipes played alternately, they unfold the actions of idle, degenerate noblemen, cruel oppressors, and crude women who have cast out virtue."

Grimm also tells of large wheels being set on fire and rolled down a hill into the Moselle River, which was used to predict future wine harvests. A wheel landing in the water while still burning foretold of a good wine harvest. All in all, the holiday grew into what most modern pagans and witches are familiar with today. Unfortunately, it's not some ancient Viking holiday as some would have you believe, but one that evolved over time through human interactions and cultural exchanges, and our desire to celebrate and hold community.

So if it's not some ancient Nordic holiday, why did I include it in my celebrations? Because my ancestors celebrated it. Not only can my family trace distinct bloodlines back to Vikings who colonized Scotland, but we can also trace more recent ancestors back to Sweden. Modern Swedes celebrate midsummer festivals. While my immediate family didn't hold any specific celebrations growing up, we usually attended festivals held during this time and often had a bonfire and large meal to celebrate summer and the fruits of the earth. Being able to connect with my ancestors in a meaningful way is an important part of my practice, and Midsommar allows me to do just that. Our modern celebrations are just as valid as those celebrated in the ancient past and are often more powerful because they hold more significance to us.

This year (2025), Midsommar takes place on June 20th/21st in the Northern Hemisphere. Keep an eye out for my upcoming post on ways to celebrate Midsommar, my sacrifice suggestions, feast recipes, and altar inspiration! Until then!



If you liked this post, please consider leaving a small tip in the jar. 

Monday, June 9, 2025

Magical Properties of Prehnite

Magical Properties of Prehnite


If you liked this post, please consider leaving a small tip in the jar. 


Thursday, June 5, 2025

Book Review: Witch Blood Rising by Asa West

Book Review: Witch Blood Rising by Asa West
Disclosure: Some of the links below are affiliate links, meaning, at no additional cost to you, I will earn a commission if you click through and make a purchase. I received a free copy of this book in exchange for an honest review.

I apologize for the brief hiatus. End of the school year is always wild, and on top of everything else, I am finishing up the last touches on wedding planning! We are less than two weeks out, and I cannot believe it's almost here! Needless to say, blogging has been put on the back burner, along with all of my other hobbies except reading. Reading has been the one thing keeping me sane, and while I have mostly been focusing on fiction (because who wants to live in this reality, am I right?) I have a large stack of occult books from publishers I need to get through, which includes Witch Blood Rising: Awaken Your Magic in a Modern World by Asa West. I was super excited to dive into this book, but unfortunately, it was not what I expected.

Based on the title and description, I thought Witch Blood Rising would focus more on witchcraft as a practice, maybe even with some blood magic thrown in, but I was wrong. Instead, West approaches teaching witchcraft through her life experiences. This book reads most like an autobiography with exercises thrown in at the end of each chapter. There is nothing wrong with this; in fact, I thoroughly enjoyed reading it! I am a sucker for reading about people's personal experiences with the craft, as it helps me better understand how other practices it. Giving me a spell or ritual outline just doesn't cut it. I want to know your thoughts, feelings, intentions, and experiences that led to the spell work, not just a formula. I am that person who likes to read the story behind a recipe on a food blog, you know that thing most people skip by hitting "Jump to Recipe." Because of this format, I know most people are not going to enjoy Witch Blood Rising, but some of you certainly will. This book is very niche in an already niche market.

Because of its setup, this is also not really beginner-friendly. There is no introduction to spell craft, how things work, correspondences, etc. However, this is the perfect book for intermediate and expert witches, more specifically those who feel like they are in a rut or have fallen out of practice. I, like most people, go through phases where I will practice all the time and my life feels so magical, and then other times I will go months, even years, without so much as casting a meaningful spell. This is the book that will get you out of the funk and inspire you to pick up your craft once again.

On top of being an inspirational text built on personal gnosis, West takes an activist approach to witchcraft. She discusses modern problems that force the reader to acknowledge that things are not so great right now. She confronts big issues like racism, homelessness, mental health, capitalism, and climate change, all through an occult lens. These issues are embedded in her stories and used to reignite your passion for witchcraft. I found myself nodding vigorously at many parts, loudly proclaiming, "Yes, yes, yes!!" I don't often do this with occult books, but this is one that triggered the activist in me. I also found myself in tears as she recounted the loss of bees, the intense fires ravaging California, and COVID. While this isn't a traditional occult book, it certainly resonated with me.

As mentioned earlier, there are exercises at the end of each chapter that build on West's storytelling, very reminiscent of what Danielle Dulsky does in her books. These exercises include discovering your witchy name, creating your own witch's mark, growing your own antlers, and calling in the rain. These are short, simple exercises that I found to be energizing and deeply reconnecting. West is sure to dispel any fears you may have about not being witchy enough, which is something I have to remind myself of all the time. Despite writing this blog, practicing for 20+ years, and writing two books, I don't always feel very witchy. I often feel like an impostor, and I know, like West, that this arises from how our society views "enoughness." The lack of green spaces, lack of community, loneliness, and the rise of consumable witchcraft, whether on social media or otherwise, has left a lot of us feeling like we aren't enough. Witch Blood Rising is an excellent reminder that we are all enough, no matter what the world says.

Overall, I enjoyed Witch Blood Rising, but I do not recommend it to all readers. You must be interested in the autobiographical aspects of the book and legitimately care about her story, already have a foundation built in witchcraft, and be interested in the intersectionality of witchcraft and societal issues. I highly recommend West's work for those who have fallen out of their craft and are looking to get back on the horse.




If you liked this post, please consider leaving a small tip in the jar.